"Le Guin’s carrier bag is, in addition to a story about early humans, a method for storytelling itself, meaning it’s also a method of history. But unlike the spear (...), and unlike the kind of linear way we’ve come to think of time and history in the West, the carrier bag is a big jumbled mess of stuff. One thing is entangled with another, and with another."

theoutline.com/post/7886/ursul

"The only problem is that a carrier bag story isn’t, at first glance, very exciting. “It is hard to tell”, writes Le Guin (...) As well as its meandering narrative, a carrier bag story also contains no heroes. There are, instead, many different protagonists with equal importance to the plot."

This is an essential paragraph in my opinion. We need to find a way to frame peace, cooperation, abundance and freedom from oppression in a compelling narrative, otherwise we will be meaningless

"Who wants to watch a movie about a four-hour meeting between community stakeholders?

The introduction of a singular hero, however, replicates a very specific and historical power relation. The pioneers and the saviors: likely male, likely white, almost certainly brimming with unearned confidence. The veneration of the hero reduces others into victims: those who must be rescued."

As a long-time fan of strategy games and a UX designer, I spent a lot of time trying to design a game that would make cooperation fun and compelling, yet I found it an almost impossible task without resorting to external "enemies" like state, police or corporations, thus merely repeating the conflict narrative in a slightly different format.

Peace, abundance, freedom are, by their own nature, uneventful and thus very hard to wrap in an interesting narrative.

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